The 24 Hour Plays: Nationals present an opportunity for young artists to meet their peers and begin building the relationships that will serve them throughout their careers. The 24HP seek the very best of the next generation of theatermakers and arm them with what they need in order to find their way in this business. In August 2018: the next group will come together for a series of intensive workshops, panel discussions, and finally, a production of The 24 Hour Plays.
Huzzah ladies! Yes She Cannes! has received a SPANK slot at Upright Citizens Brigade this August. If you haven't seen it in previous iterations, come check out what is sure to be the best show yet; if you have seen it, then you already know you want to see it again & check out the new content. Support women in film, on stage, in power, on Earth!
SPANK shows have never been performed on the UCBT stage before. And just like children, some may be good and some may be bad, but somebody out there loves them just the same. It's comedy just out of the womb. See two brand new sketch or solo shows birthed right before your eyes! Come on, you know you need a spanking.
A new play by Julia Specht, directed by Harrison Densmore. Part of the Ensemble Studio Theatre's BLOODWORKS READING SERIES 2018, where Youngblood writer's debut new full-length plays.
this play is about having a sister. it's about loving someone who is maybe too much like you. it's also about having a body and how disgusting and uncomfortable and amazingly perfect it is. it's also about a very similar overpass with a shorter fence.
Come support women in film and join us on this jourey through lady cinema! Yes She Cannes! is a totally legit, thoughtfully curated real (fake) film festival (sketch show) recognizing women in the industry! Women: can’t live with ’em, can’t make movies without ’em! Yes we cannes! Wait, what?
June 1st at 7pm & June 8th at 9pm!
Written & Performed by Jackie Abbott & Ellen Haun
Directed by Lauren Ireland
The Civil War is over, but the scabs it left still itch. A fox stalks the clearing behind the Auberts home, hunting chickens. A love triangle goes horribly wrong, and a family is destroyed. The pieces cannot be put back together: the survivors must build something new. In the absence of God, community, morality, on the edge of the woods that ring with the devil's whistle, two sisters must embrace the power of renouncing everything.
By Corbin Went
Directed by Emma Rosa Went
Coproduced with The Renovationists and Parity Productions